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Aragon High School Performing Arts. “The Laramie Project.” By Moisés Kaufman and members of the Tectonic Theater Project. Preview 7 p.m. March 20. 7 p.m. March 21-23, 2 p.m. March 24. Aragon High School Theater, 900 Alameda de las Pulgas, San Mateo. $10-$15 advance, $10-$17 at the door. Preview 8. Hillbarn Theatre. “john & jen.” By Andrew Lippa. Directed by Jay Manley. A two-person musical. Preview March 14; runs March 15 through April 7. 8 p.m. Thursdays-Saturdays; 2 p.m. Sundays. Hillbarn Theatre, 1285 E. Hillsdale Blvd., Foster City. $23-38 or 650-349-6411.

Salonen, who is also principal conductor of London’s Philharmonia Orchestra and conductor laureate of the Los Angeles Philharmonic, will be the 12th music director in the Symphony’s 107-year history, succeeding Michael Tilson Thomas, who ballet shoes size 6.5 concludes his 25-year tenure in July 2020, On the day we spoke, Salonen said his previous San Francisco Symphony appearances had left him with an indelible impression of the orchestra’s strengths, Now he’s looking forward to returning to the ensemble with this program..

Like the 2013 music documentary “Muscle Shoals,” which posited a poetic connection between hit songs and water (in that case, the Tennessee River and the Fame recording studio of Muscle Shoals, Alabama), “Rumble: The Indians Who Rocked the World” concerns itself with the ways Native Americans’ musical styles and musicianship have fed American popular music, from rock to blues, jazz, country and funk. The film makes its case most eloquently when playing a recording by Charley Patton, a blues guitarist and singer who likely has indigenous ancestry. As Tuscarora singer Pura Fé points out the unmistakable Indian rhythms and vocal qualities, you might find yourself thinking, “How could I have missed that before?”.

The city resumed its review of the demolition application last month, wrote Heineck, who could not be reached to speak about the project Friday because City Hall was closed, ballet shoes size 6.5 On Thursday, the historical association emailed a letter to Heineck stating it doesn’t oppose the demolition plan, “The status of the property was discussed at our September Board meeting and the Association has no problem with the issuing of a permit for demolition,” states the email, signed by the group’s secretary, Frank Helfrich..

Eighteen years later, what is now Silkroad has brought us this eerily beautiful and mysteriously alive opera by Hajibeyli, adapted by the Silk Road Ensemble into a condensed chamber version of the original. (Ma himself is not performing with the group.). The iconic tale of the two lovers, Layla and Majnun, often likened to Shakespeare’s “Romeo and Juliet,” has been set through the ages to music across the ancient trading routes, and its sound has been as varied as the locales presenting the tale. Here it is shaped by the melody-driven and improvisational folk style called mugham, a modal system with roots in prayer and lullaby, and it is set to the Azerbaijani text of the poet-philosopher Muhammad Fuzuli. Improvisation is intrinsic to the music.



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